
A memory of motion, held in water beneath the drift of autumn


Söhne is the memory of Akzidenz-Grotesk framed through the reality of Helvetica. It captures the analogue materiality of “Standard Medium” used in Unimark’s legendary wayfinding system for the NYC Subway.
Obscenity begins when there is no more spectacle, no more stage, no more theater, no more illusions, when everything becomes immediately transparent, visible, exposed in the raw and inexorable light of information and communication. We no longer partake of the drama of alienation, but are in the ecstasy of communication.
— Jean Baudrillard, The Ecstasy of Communication (1987)
In conversation with Claude (Opus 4.7)
I went along to the Together March in London on 28 March 2026. Was awesome to be around 100s of thousands of people standing in solidarity against the far-right.

Rocky IV training montage. Epic